{"id":29467,"date":"2021-10-14T12:00:14","date_gmt":"2021-10-14T10:00:14","guid":{"rendered":"https:\/\/almach.com\/?p=29467"},"modified":"2024-05-28T15:18:39","modified_gmt":"2024-05-28T13:18:39","slug":"ariel-soule-e-anna-pennati-in-con-sequenze","status":"publish","type":"post","link":"https:\/\/almach.com\/en\/ariel-soule-e-anna-pennati-in-con-sequenze\/","title":{"rendered":"CONSE(Q)UENCES by ARIEL SOULE' &amp; ANNA PENNATI"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;1px||1px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||1px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_post_title meta=&#8221;off&#8221; featured_image=&#8221;off&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; title_font_size=&#8221;40px&#8221; title_line_height=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_code _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w7eKE-1RfIY?si=rx8wzd83hQGn9nbc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>[\/et_pb_fullwidth_code][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||6px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<p><span style=\"font-weight: 400;\">Anna Pennati<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sempre pronta al cambiamento e alle nuove sfide, ha realizzato per questa mostra nuove opere di rara intensit\u00e0, che abbracciano tre temi tra i suoi preferiti: \u201calchimie\u201d, \u201cendless lines\u201d e la nuovissima \u201cblack series\u201d.<\/span><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<p>Ariel Soul\u00e9<\/p>\n<p>Continua ricerca progettuale e concettuale hanno portato ad esporre tre lavori distanti tra loro negli anni, ma che ben raccontano il percorso artistico di ariel soul\u00e9, che ha accettato di mettersi in nuovamente in gioco.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;1px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel_Soule_entartete_Musik_2005_200x200.webp&#8221; title_text=&#8221;Ariel_Soule_entartete_Musik_2005_200x200&#8243; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna_Pennati_le_tre_Grazie_2021_200x200_recto.webp&#8221; alt=&#8221;Endless line Galileo tecnica mista su tela 2024 &#8211; 100x100cm&#8221; title_text=&#8221;Anna_Pennati_le_tre_Grazie_2021_200x200_recto&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; specialty_columns=&#8221;2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<p>Due artisti in sequenza che producono conseguenze artistiche ed estetiche. Questo \u00e8 il risultato di una sorta di sperimentazione di Anna Pennati e Ariel Soul\u00e9. Libera ricercatrice di morfologie pluridirezionali, la prima; diversamente, il suo \u201calter ego\u201d sperimentale, Ariel, \u00e8 perpetratore di sequenze formali pittoriche (tenute da un fil rouge sottile e pertinente) quali conseguenza di assunti letterario-filosofici. Cosa fanno i due? Puntano a fondersi, ciascuno cedendo all\u2019altro alcune delle proprie \u201ccellule\u201d creative. O, meglio, ciascuno di loro si appropria (lontana memoria del gesto nuovorealista?) del lato destro o del sinistro di un dipinto del collega. L\u2019eventuale lato sinistro che uno di loro abbia assunto si innesta nel lato destro di un proprio dipinto. Azione di ingegneria artistica, pur essendo i due dipinti in gioco in buona salute estetica.<\/p>\n<p>Prof. Carmelo Strano<\/p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2024\/05\/001-stampa-Consequenze.webp&#8221; title_text=&#8221;001 stampa Consequenze&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||40px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna-al-lavoro.webp&#8221; title_text=&#8221;Anna al lavoro&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;_initial&#8221; text_font=&#8221;Roboto||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.6em&#8221; max_width=&#8221;394px&#8221; max_width_tablet=&#8221;100%&#8221; max_width_phone=&#8221;100%&#8221; max_width_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;|0px||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; locked=&#8221;off&#8221; sticky_enabled=&#8221;0&#8243;]<p>Uno scambio di sequenze. La sequenza di solito riposa su uno sviluppo lineare (si vedano i sarcofagi paleocristiani), quindi determina giustapposizione. Ma Leonardo Fibonacci, che loro giustamente richiamano, agli inizi del XIII secolo mette in evidenza, in una successione, un fenomeno di conseguenza, cio\u00e8 di un salto, che determina conseguenze \u201caltre\u201d diverse rispetto alla situazione iniziale (la formula \u00e8 ben nota).<\/p>\n<p><span style=\"text-align: justify;\">.<\/span><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna-PennatiAriel_Soule_consequenze_Chora_2_2012_100x100_recto.webp&#8221; title_text=&#8221;Anna Pennati+Ariel_Soule_consequenze_Chora_2_2012_100x100_recto&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||10px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4px||7px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/foto-mostra-consequenze-002.webp&#8221; title_text=&#8221;foto mostra consequenze 002&#8243; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-28px|||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;About&#8221; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel-al-lavoro.webp&#8221; title_text=&#8221;Ariel al lavoro&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;_initial&#8221; text_font=&#8221;Roboto||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.6em&#8221; max_width=&#8221;394px&#8221; max_width_tablet=&#8221;100%&#8221; max_width_phone=&#8221;100%&#8221; max_width_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;|0px||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<p>Nel loro caso la conseguenza \u00e8 proprio di tipo connotativo. Si tratta quindi di un risultato linguisticamente trasmutante o deviante.<br \/>Una situazione ben diversa da quando su un originale qualcuno interviene manipolandolo a vario titolo. Ad esempio, per trasfigurarlo e farlo proprio oppure a scopo censorio.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel-Soule-e-Anna_Pennati_consquenze_endless_line_Artemide_2021_100x100_recto.webp&#8221; title_text=&#8221;Ariel Soule e Anna_Pennati_consquenze_endless_line_Artemide_2021_100x100_recto&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;_initial&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||40px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel_Soule_into_the_mirror_2021_180x143_recto.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Ariel_Soule_into_the_mirror_2021_180x143_recto&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2024\/05\/003-stampa-Consequenze.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;003 stampa Consequenze&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna_Pennati_el-sueno_sublimazione_nera_2020_100x150_recto-scaled.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Anna_Pennati_el sueno_sublimazione_nera_2020_100x150_recto&#8221; enable_caption_text=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<p><span>Qui si punta a determinare un\u2019opera nuova che sembri consanguinea, pur essendo diverso il gruppo sanguigno. Si tiene conto probabilmente dell\u2019ibrido che viviamo internazionalmente. Ed \u00e8 proprio alla luce di questo rilievo che l\u2019esperimento ha carattere diverso rispetto ai \u201cgiochi\u201d postdadaisti che taluni artisti di grido hanno operato su lavori altrui. Ma ancora: a dispetto di queste notazioni di aggiornamento epocale, nell\u2019operazione di Anna e Ariel fa capolino il gioco chiasmatico dello scambio a X delle tensioni. Gi\u00e0 nel V secolo a.C. fiss\u00f2 questo gioco Policleto nel suo \u201cDoriforo\u201d. La scultura ostenta il richiamo tra la tensione del braccio sinistro (che regge la lancia) e quella della gamba destra che regge il peso del corpo.<\/span><\/p>\n<p><span>Certo, in questo caso, un ibrido all\u2019interno della cultura occidentale. Ma si pu\u00f2 andare anche oltre, no?<\/span><\/p>\n<p><span><\/span>Prof. Carmelo Strano<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/WhatsApp-Image-2021-10-12-at-13.27.59-1.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;WhatsApp Image 2021-10-12 at 13.27.59 (1)&#8221; enable_caption_text=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2024\/05\/002-stampa-Consequenze.webp&#8221; title_text=&#8221;002 stampa Consequenze&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; specialty_columns=&#8221;2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;2_3&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<p><span>I due artisti scompongono reciprocamente le opere in sezioni che poi vengono combinate idealmente tra loro a creare nuove figure. La met\u00e0 sinistra di una viene visivamente affiancata alla met\u00e0 destra dell\u2019altra e viceversa, producendo quindi nuove sensazioni emotive.<\/span><\/p>\n<p><span>L\u2019idea \u00e8 ulteriormente sviluppata inserendo il concetto che un intervento di un\u2019altra persona su di un lavoro finito, come l\u2019atto di censura dei volumi della biblioteca di Salamanca, piuttosto che la cancellazione di parole e lettere nei lavori di Emilio Isgr\u00f2 (1937), porti a delle realt\u00e0 diverse, spesso inaspettate, ma comunque nuove. Nel 1953 Robert Rauschenberg (1925-2008) chiese al maestro Willem De Kooning (1904-1987) di dargli un disegno e lo cancell\u00f2 per dimostrare che anche solo \u201ccancellando\u201d si pu\u00f2 creare una nuova opera d\u2019arte.<\/span><\/p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||10px|||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4px||7px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel_Soule_talking_blue_2010_190x200_recto.webp&#8221; title_text=&#8221;Ariel_Soule_talking_blue_2010_190x200_recto&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-28px|||||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna_Pennati_serie_nera_n9_Arturo_2021_120x150_recto.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Anna_Pennati_serie_nera_n9_Arturo_2021_120x150_recto&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Services&#8221; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;gcid-555f765c-f894-450b-b9e2-169a23b01a51&#8243; overflow-x=&#8221;hidden&#8221; overflow-y=&#8221;hidden&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{%22gcid-555f765c-f894-450b-b9e2-169a23b01a51%22:%91%22background_color%22%93}&#8221;][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<div class=\"et_pb_testimonial_description_inner\">\n<div class=\"et_pb_testimonial_content\">\n<p><span>Di censura si tratta infatti, ma una censura che CREA qualcosa di nuovo. E chi conosce anche solo un po\u2019 la psicologia di un artista, sa quanto sia impensabile lasciare entrare qualcuno in modo cos\u00ec invasivo nel proprio territorio, solitamente vietato. Non una creazione a due mani, ma un intervento, anche totale, su di un\u2019opera finita.<\/span><\/p>\n<p><span>Una ridisposizione di immagini in SEQUENZE che porta a delle inevitabili, ma interessantissime CONSEGUENZE che si vedranno non solo nelle opere che ne derivano, ma anche nella reazione degli artisti stessi e degli spettatori.<\/span><\/p>\n<\/div>\n<\/div>\n<p><span class=\"et_pb_testimonial_author\">Luca Temolo Dall&#8217;Igna<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;3px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; column_structure=&#8221;1_2,1_2&#8243;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Anna-PennatiAriel_Soule_consequenze_Chora_2_2012_100x100_recto.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Anna Pennati+Ariel_Soule_consequenze_Chora_2_2012_100x100_recto&#8221; enable_caption_text=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2021\/10\/Ariel-Soule-e-Anna_Pennati_consquenze_endless_line_Artemide_2021_100x100_recto.webp&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; title_text=&#8221;Ariel Soule e Anna_Pennati_consquenze_endless_line_Artemide_2021_100x100_recto&#8221; enable_caption_text=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Viewing room della mostra di Ariel Soul\u00e9 e Anna Pennati Consequenze.<br \/>\nI due artisti hanno accettato non solo di mettere a confronto diretto i loro lavori, ma di dipingere uno su un opera dell&#8217;altro e viceversa.<\/p>","protected":false},"author":1,"featured_media":29470,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.\n\n<img class=\"alignnone size-full wp-image-28729\" src=\"https:\/\/almach.com\/wp-content\/uploads\/2017\/02\/article_6.jpg\" alt=\"\" width=\"1400\" height=\"935\" \/>\n\nUt velit mauris, egestas sed, gravida nec, ornare ut, mi. Aenean ut orci vel massa suscipit pulvinar. Nulla sollicitudin. Fusce varius, ligula non tempus aliquam, nunc turpis ullamcorper nibh, in tempus sapien eros vitae ligula. Pellentesque rhoncus nunc et augue. Integer id felis. Curabitur aliquet pellentesque diam. Integer quis metus vitae elit lobortis egestas. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Morbi vel erat non mauris convallis vehicula. Nulla et sapien. Integer tortor tellus, aliquam faucibus, convallis id, congue eu, quam. Mauris ullamcorper felis vitae erat. Proin feugiat, augue non elementum posuere, metus purus iaculis lectus, et tristique ligula justo vitae magna.\n\n<img class=\"alignnone size-full wp-image-28719\" src=\"https:\/\/almach.com\/wp-content\/uploads\/2017\/02\/second_image.jpg\" alt=\"\" width=\"1400\" height=\"933\" \/>\n\nAliquam convallis sollicitudin purus. Praesent aliquam, enim at fermentum mollis, ligula massa adipiscing nisl, ac euismod nibh nisl eu lectus. Fusce vulputate sem at sapien. Vivamus leo. Aliquam euismod libero eu enim. Nulla nec felis sed leo placerat imperdiet. Aenean suscipit nulla in justo. Suspendisse cursus rutrum augue. Nulla tincidunt tincidunt mi. Curabitur iaculis, lorem vel rhoncus faucibus, felis magna fermentum augue, et ultricies lacus lorem varius purus. Curabitur eu amet.","_et_gb_content_width":"1080","footnotes":""},"categories":[12],"tags":[32,28,27,26,24,42,34,29,33,79,78,81,30,82,25,31,80],"class_list":["post-29467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viewing-room","tag-abstract-art","tag-almach","tag-almach-art","tag-almach-art-gallery","tag-anna-pennati","tag-ariel-soule","tag-art","tag-artgallery","tag-artist","tag-consequences","tag-consequenze","tag-de-kooning","tag-galleria-darte","tag-isgro","tag-luca-temolo-dalligna","tag-milano","tag-rauschenberg"],"_links":{"self":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/posts\/29467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/comments?post=29467"}],"version-history":[{"count":6,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/posts\/29467\/revisions"}],"predecessor-version":[{"id":29492,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/posts\/29467\/revisions\/29492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/media\/29470"}],"wp:attachment":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/media?parent=29467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/categories?post=29467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/tags?post=29467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}