{"id":231,"date":"2024-05-03T12:01:26","date_gmt":"2024-05-03T10:01:26","guid":{"rendered":"http:\/\/mxajfmgl.preview.infomaniak.website\/?post_type=project&#038;p=231"},"modified":"2024-05-24T12:06:46","modified_gmt":"2024-05-24T10:06:46","slug":"salvador-aulestia","status":"publish","type":"project","link":"https:\/\/almach.com\/en\/project\/salvador-aulestia\/","title":{"rendered":"SALVADOR AULESTIA"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; transparent_background=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;90px|0px|0px|0px&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_gallery gallery_ids=&#8221;232,201&#8243; fullwidth=&#8221;on&#8221; admin_label=&#8221;Galerie&#8221; _builder_version=&#8221;4.16&#8243; background_layout=&#8221;dark&#8221; auto=&#8221;on&#8221; auto_speed=&#8221;5000&#8243; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_width=&#8221;1px&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_image src=&#8221;https:\/\/almach.com\/wp-content\/uploads\/2024\/04\/Ritr-Sal-che-osserva-oggetto-scaled.jpg&#8221; title_text=&#8221;Ritr Sal che osserva oggetto&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; transparent_background=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;90px|0px|0px|0px&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.25.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>SALVADOR AULESTIA<\/h1>\n<p><strong>Barcelona 1915 &#8211; Milano 1994<\/strong><\/p>\n<p>Salvador Aulestia \u201cartista\u201d \u00e8 veramente impressionante per la forza espressiva che si ritrova nei suoi lavori, nei quali il segno e il colore agiscono con intensit\u00e0 incredibile, lasciandoci a volte ammirati, altre stupiti, mai indifferenti. e\u2019 impossibile restare impassibili di fronte ad un suo lavoro. in ogni caso ci cattura ipnoticamente, con la forza simbolica e compositiva delle sue immagini. una volta conosciuti, i suoi lavori si riconoscono senza difficolt\u00e0 per lo stile unico e per la sua personalit\u00e0, che pervade ogni opera da lui creata, che si tratti di pittura, scultura, disegni, fino agli scritti, alle musiche e i grandi progetti.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/salvadoraulestia.com\/&#8221; button_text=&#8221;Vai al sito&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_video src=&#8221;https:\/\/youtu.be\/2muN-excmzk&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;column-count: 2&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>AWARDS AND TITLES<\/p>\n<p>Designated in 1983 &#8220;Universal Catalan&#8221; &#8211; Madrid. The King of Spain, His Majesty King Juan Carlos, received his own portrait and book on Bullfighting from master Salvador Aulestia on the occasion of his nomination as Universal Catalan.<br \/>Architect (Minist\u00e9re du D\u00e9veloppement Industriel et Scientifique de France).<br \/>Laurea \u201chonoris causa\u201d dell\u2019 \u201cUniversidad Indigenista Monctezuma\u201d &#8211; Mexico.<br \/>Member of the \u201c Deutsche Geschichte Gesellshaft\u201d (Archeologia) &#8211; Essen.<br \/>Academic member \u201cAccademia Paestum\u201d &#8211; Roma.<br \/>Emeritus dell\u2019 \u201cAccademia Azteca\u201d &#8211; Andorra.<br \/>Member of the \u201cAcademia de Estudios Historicos de Colombia\u201d &#8211; Colombia.<br \/>Counselor for the \u201cIstituto de Estudios Mediterraneos\u201d &#8211; Barcelona.<br \/>Counselor Federacion Politecnica Espanola de Diplomados\u201d &#8211; Madrid.<br \/>Golden medal \u201cExema Diputacion Provincial de Barcelona\u201d.<br \/>Golden medal \u201cProvincia di Milano\u201d<br \/>Silver medal for the 30th anniversary of the Italian Republic &#8211; Milano<br \/>Golden medal \u201cExposicion Internacional de Escultura Salon de Mayo\u201d &#8211; Barcelona<br \/>Golden medal \u201cHermanos Serra\u201d (First national sculpture prize) &#8211; Madrid<br \/>Represented Spain, during 7 years, in all the major biennials in the world: Biennale di Venezia, San Paolo, Havana, New York.<br \/>Biennale Hispano-Americana, Valencia (Venezuela) Biennale Viscontea.<br \/>Gold medal &#8220;technological merits&#8221; Federation of Spanish dipomats<br \/>\u201cPremio Chiavari\u201d for the book \u201cLa magia del calcio\u201d<br \/>XII \u201cPremio Paestum\u201d &#8211; Roma<br \/>Golden Oscar \u201cPrimo artista di Barcellona\u201d &#8211; Barcelona<br \/>1st National Biennial Engraving Award (Lyons Club Milano)<br \/>Golden Rose for Literature &#8211; Culture Department &#8211; Milano<br \/>\u201cBiscione d\u2019oro\u201d &#8211; Omaggio a Catalogna &#8211; Milano.<br \/>Concurso Internacional de Arte Religioso Moderno &#8211; Barcelona<br \/>Sal\u00f2n de Mayo de Barcelona &#8211; Barcellona<br \/>I Primer Salon de Arte Catalan &#8211; Barcelona<\/p>\n<p>&nbsp;<\/p>\n<p>II e IV Bienal de Sao Paulo &#8211; Brasil<br \/>Biennial Hispano-Americana de Arte &#8211; Santiago del Chile<br \/>Exposicion de Artistas Hispanicos &#8211; Madrid<br \/>Exposicion Internacional de Valencia &#8211; Venezuela<br \/>Man 71 &#8211; Barcelona<br \/>Cero Figura &#8211; Barcelona<br \/>V Rassegna Internazionale della Piccola Scultura<br \/>VII Rassegna Internazionale di Scultura &#8211; Milano<br \/>Panorama de la Pintura Actual &#8211; Barcelona<br \/>Pintura Catalana de Hoy &#8211; Barcelona<br \/>Esposizione Nazionale d\u2019Incisione Lyons Club &#8211; Milano<br \/>El Retrato en la Pintura Catalana &#8211; Barcelona<br \/>Bienal Hispano Americana &#8211; Barcelona<br \/>Bienal Hispano Americana &#8211; New York<br \/>Primera Exposicion de Pintura Contemporanea &#8211; Habana<br \/>Mostra Internazionale di Pittura Contemporanea &#8211; (Special Hall) Milano<br \/>XXXIV Biennale di Venezia (Special personal qualification) &#8220;The pavilion of Spain displays, like a romantic symbol, the singular work of Catalan sculptor Salvador de Aulestia, &#8220;Sitial para un Homenaje a Gaudi,&#8221; as if to remind us that artistic restlessness and continuous anxiety about the future continue to inspire young artists today, urging them not to stop and get stuck in dangerous formulas, in a word, to study every day again and again the aesthetic problems that with absolute vigor the inexorable passage of time confronts us with.&#8221; Luis Gonzales Robles &#8211; Madrid<\/p>\n<p>MUSEUMS IN WHICH HE IS REPRESENTED<\/p>\n<p>MUSEO DE ARTE CONTEMPORANEO &#8211; Barcelona<br \/>MUSEO PINACOTECA DI BRERA &#8211; Milano<br \/>MUSEE D\u2019ART MODERNE &#8211; Berna<br \/>MUSEO DE ARTE CONTEMPORANEO &#8211; Las Palmas (Canarias)<br \/>MUSEO CIVICO DI CREMA &#8211; Milano<\/p>\n<p>SELECTED FROM THE FOLLOWING MUSEUMS<\/p>\n<p>MUSEO DE ARTE CONTEMPORANEO DE MADRID<br \/>MUSEE LE COURBUSIER &#8211; D\u00fcsseldorf<br \/>THE BRITISH MUSEUM OF MODERN ART &#8211; London<br \/>MUSEE D\u2019ART MODERNE &#8211; Paris.<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;column-count: 2&#8243; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; locked=&#8221;off&#8221;]<\/p>\n<p>MAJOR SOLO EXHIBITIONS<\/p>\n<p>1936 &#8211; PALAU SANTALO &#8211; Barcelona<br \/>1943 &#8211; SALA ART &#8211; Barcelona<br \/>1947 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1948 &#8211; CASAL MUTUALISTA &#8211; Mataro &#8211; Barcelona<br \/>1948 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1950 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1951 &#8211; GALLERIA DEI BARBERI &#8211; Roma<br \/>1951 &#8211; GALLERIA LA PIRAMIDE &#8211; Roma<br \/>1952 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1953 &#8211; SALA CLAN &#8211; Madrid<br \/>1955 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1955 &#8211; GALLERIA D\u2019ARTE DEL GRATTACIELO &#8211; Milano<br \/>1955 &#8211; GALLERIA BRESLEY &#8211; Parigi<br \/>1956 &#8211; SALA FORTUNY &#8211; Barcelona<br \/>1957 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1957 &#8211; GALLERIA D\u2019ARTE DEL GRATTACIELO &#8211; Milano<br \/>1957 &#8211; THE MUSEUM OF ARTWORLD &#8211; Los Angeles<br \/>1957 &#8211; DAN BEAR GALLERIES &#8211; California (USA)<br \/>1957 &#8211; THE PROJECTION BOOTH &#8211; California (USA)<br \/>1957 &#8211; TOMPSON GALLERY &#8211; California (USA)<br \/>1957 &#8211; PHILIPS STONE COLLECTION &#8211; Hollywood (USA)<br \/>1957 &#8211; MUSEUM OF ART &#8211; Hawaii (USA)<br \/>1957 &#8211; CAFE WITH BAND &#8211; Chicago (USA)<br \/>1957 &#8211; HISPANIC LIBRARY OF THE ROCKEFELLER CENTER &#8211; New York (USA)<br \/>1958 &#8211; GALERIA DE ARTE EL JARDIN &#8211; Barcelona<br \/>1958 &#8211; GALLERIA D\u2019ARTE DEL GRATTACIELO &#8211; Milano<br \/>1959 &#8211; GALLERIA D\u2019ARTE DEL GRATTACIELO &#8211; Milano<br \/>1959 &#8211; GALLERIE HENRI\u2019 MANUEL &#8211; Parigi<br \/>1963 &#8211; WOLFENSBERGER GALLERY &#8211; Zurigo<br \/>1965 -MUSEO ANTIGUO HOSPITAL DE SANTA CRUZ &#8211; Barcelona<br \/>1966 &#8211; GALLERIA D\u2019ARTE DEL GRATTACIELO &#8211; Milano<br \/>1967 &#8211; GALERIA RENE METRAS &#8211; Barcelona<br \/>1968 &#8211; GALERIA DE ARTE CONTEMPORANEO &#8211; Zaragoza<br \/>1968 &#8211; DIE BR\u00dcKE &#8211; Dusseldorf<br \/>1968 &#8211; GALLERIA PAGANI &#8211; Milano<br \/>1970 &#8211; SALA SIRA &#8211; Barcelona<br \/>1971 &#8211; HALL DEL BANCO INDUSTRIAL MERCANTIL &#8211; Barcelona<br \/>1971 &#8211; PALACIO DE CRISTAL &#8211; Comarruga (Tarragona)<\/p>\n<p>&nbsp;<\/p>\n<p>1972 &#8211; GALLERIA D\u2019ARTE AL SOLE &#8211; Feltre (Bolzano) *<br \/>1972 &#8211; GALLERIA RODA &#8211; Rovigo<br \/>1972 &#8211; GALLERIA ETRURIA &#8211; Adria (Rovigo)<br \/>1973 &#8211; LA TAVOLOZZA &#8211; Vicenza<br \/>1973 &#8211; CIRCOLO STAMPA (Palace Hotel Cristallo) Cortina d\u2019Ampezzo<br \/>1973 &#8211; GALLERIA D\u2019ARTE IL CASTELLO &#8211; Milano<br \/>1973 &#8211; GALERIA PROCER &#8211; Barcelona<br \/>1974 &#8211; GALERIA PROCER &#8211; Barcelona<br \/>1975 &#8211; GALLERIA D\u2019ARTE MARCONI &#8211; Bassano del Grappa (Vicenza)<br \/>1975 &#8211; AMICI DI LEGNANO &#8211; Legnano (Milano) *<br \/>1975 &#8211; GALERIA D\u2019ARTE IL CENACOLO &#8211; Milano *<br \/>1975 &#8211; GALLERIA CASUCCI &#8211; Chianciano (Toscana)<br \/>1976 &#8211; GALLERIA D\u2019ARTE AUGUSTO &#8211; Milano<br \/>1976 &#8211; CIRCOLO FILOLOGICO MILANESE &#8211; Milano<br \/>1977 &#8211; CENTRO D\u2019ARTE SARABUBA &#8211; Monza (Milano) *<br \/>1977 &#8211; GALLERIA IL MERCANTE &#8211; Milano<br \/>1977 &#8211; MUSEO CIVICO DI CREMA &#8211; Crema (Milano)<br \/>1978 &#8211; CENTRO D\u2019ARTE SARABUBA &#8211; Monza (Milano) *<br \/>1978 &#8211; PALACIO DE CONGRESOS &#8211; (IIo Congreso Mundial de Psiquiatria) &#8211; Barcelona<br \/>1979 &#8211; CENTRO D\u2019\u2019ARTE SARABUBA &#8211; Monza (Milano)<br \/>1979 &#8211; LA MERIDIANA &#8211; Verona<br \/>1980 &#8211; PALAZZO REALE (ARENGARIO) &#8211; Milano *<br \/>1980 &#8211; GALLERIA \u201cIL DIALOGO\u201d &#8211; Milano *<br \/>1980 &#8211; SALOTTO GOJ &#8211; Motta Visconti (Milano)<br \/>1982 &#8211; ROTARY CLUB RAPALLO-TIGULLIO &#8211; Chiavari (Genova)<br \/>1982 &#8211; LIONS CLUB STRADELLA-BRONI Stradella (Pavia)<br \/>1983 &#8211; MUSEO NAZIONALE LEONARDO DA VINCI &#8211; Milano<br \/>1983 &#8211; CIRCULO CATALAN DE MADRID &#8211; Madrid<br \/>1990 &#8211; CENTRO CONGRESSI DI SALICE TERME &#8211; (Milano)<br \/>1993 -CENTRE DE CULTURA \u201cSA NOSTRA\u201d &#8211; Palma de Mallorca<br \/>2007 &#8211; MUSEO DEI FRATI CAPPUCCINI &#8211; Assisi<br \/>2009 &#8211; EUREKA PALACE &#8211; Siracusa<br \/>2020 &#8211; ALMACH ART GALLERY &#8211; Milano<br \/>2023 &#8211; ALMACH ART GALLERY &#8211; Milano *<\/p>\n<p>* Asterisk indicates that sculptures were also exhibited.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SALVADOR AULESTIA Barcelona 1915 &#8211; Milano 1994 Salvador Aulestia \u201cartista\u201d \u00e8 veramente impressionante per la forza espressiva che si ritrova nei suoi lavori, nei quali il segno e il colore agiscono con intensit\u00e0 incredibile, lasciandoci a volte ammirati, altre stupiti, mai indifferenti. e\u2019 impossibile restare impassibili di fronte ad un suo lavoro. in ogni caso [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28910,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[11],"project_tag":[17,16,18],"class_list":["post-231","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-artist","project_tag-almach-art","project_tag-luca-temolo-dalligna","project_tag-salvador-aulestia"],"_links":{"self":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project\/231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/comments?post=231"}],"version-history":[{"count":4,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project\/231\/revisions"}],"predecessor-version":[{"id":29397,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project\/231\/revisions\/29397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/media\/28910"}],"wp:attachment":[{"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/media?parent=231"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project_category?post=231"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/almach.com\/en\/wp-json\/wp\/v2\/project_tag?post=231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}